In 2017-2020, I directed the Middle Passage Experience, an interactive VR/AR simulation of the transatlantic slave trade from Africa to the Americas during the late 18th to mid-19th centuries. This collaborative projects involves faculty and students across disciplines: History, Africana Studies, Games and Interactive Media, Digital Humanities, and Computer Science.
Latin American Technocultural Worlds: Histories of Design, Aesthetics, and Practice (Co-edited Volume)
I am co-editing a volume on aesthetics of technology in Latin America with award-winning author Diana J. Montaño, Washington University in St. Louis. The volume, Latin American Technocultural Worlds: Histories of Design, Aesthetics, and Practice, focuses on Latin American technological aesthetics and design through an in-depth exploration of state modernization projects for the urban and rural environments and individual users who reimagined or reconfigured the aesthetics of technological devices as these were domesticated in their context of use. Expanding the concept of sociotechnical imaginaries scholars in the volume (1) explore how these imaginaries are/were informed and are informed by the politics of design and aesthetics (2) underline the way these imaginaries are not only textual but visual and aural, (3) and, how users altered and reinvented the aesthetics/design of technological devices to meet their cultural and personal values, needs and desires. The group will be meeting online during 2022-2023: https://chstm.org/content/aesthetic-and-design-latin-american-technology-0